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With Pluto Gone, What's to Become of Uranus?

by Amniotic Buzzsaw

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1.
A mental narrator finds another way to say That we’ve been makin’ our rounds under his crowded gaze. Crafty little devil has nothing left to settle. The west is always the best when it’s left to the cattle. Flash dancing in the purple rain, my feet are loose. I’m boiling in hot water ‘til you taste my juice. I hold my fantasies aloft to remain aloof. You’ll never see any better. I’ve got best-seller flavor. So why lie? I am so lonely I could just die. The watcher and the seer hold each other in esteem still I wait for another ego to stain. The street rat strikes her best Rembrandt alone. Your galactic peepshow only costs a nickel and a dime This time, I am so lonely I could just die. Why lie? I am so lonely I could just die. Don’t ask why. I am so lonely I could just die.
2.
I don’t know why you pray Because of what your padre say But he don’t know about the CIA And all their mystery ways It’s a new age For your mystery ways Honey honey it’s a new age For all your mystery ways And Elvis was a freemason Elvis was a freemason Elvis was God’s only son He rose from the dead He cleared his throat and said Faith without works is dead Now gimme a hunk of your burning love
3.
If it’s not a personal question are you a virgin? maybe possessed by devils? If the answer’s yes to these questions we’re right behind you. We will worship the ground that walk on until you lose a shoe. Blasphemy! You didn’t bring us here we just followed you. We have always know all the time that you were just playing around at being mad and I know you like orders, I know you like ‘em so throw me to the ground. After a night of good sex I often pray to open my windows every morning to thousands of people cheering my name. Blashpemy! I’d probably go home too if no one was following me. I once was blind, but now I just can’t see. We could go to a stoning but I could go to a stoning any time. So just harvest my body while we sit at the children’s matinee. Symbolic of my struggle against reality you wanna see what emerges when you reach under the leaf? Blasphemy!
4.
The viewer becomes the screen. We can anticipate you and control you. It doesn’t mean a thing ‘til you consume it. Resenting it will not halt its progress.
5.
Kitchenettes 03:45
Supersonic blandness in the face of madness Samurai sadness has got us wanting more Ooh that’s nice Satan’s talking through the walls and all I can do is sell a kitchenette Stuck in endless greetings love’s repeating The devil’s in the fine print wanting more Stack the ages Faceless shapefuls Nobody knows how Patent pending Safety sending Our moments die in unmarked graves
6.
The friction between us. My hands are covered in vice. Triple X-mas has come early. The friction between us. Beat the naughty sack ‘til it has turned black and blue and this dance is rocking out, it’s a demon dementia demolition. Arranging our dark fiction. Horn of the demon we’re arranging our dark fiction. This dance is rocking we’re arranging our dark fiction. It’s all fermenting we’re arranging our dark fiction. Our atoms collide.
7.
Monday night you went down to Hug ‘N Pint, had a beer or two or forty and they were going down smooth. What color are you? I hope you are blue. Bottle caps and table scraps, anything to fill in the gaps. Have you felt your memory lapse stuck in all these endless recaps? What color are you? I hope you are blue. A storm is coming to town. Sink or swim, you know he won’t drown. Will they ever come around when they’re all down and out? And so this homegrown Peter Pan will make you his biggest fan. He’ll lead you to promised land, smiling empty on his empty hands. What color are you? I hope you are blue.
8.
Mystery girls swimming in the adverbs Tweak the prom dresses of the psychics Casual kneecaps buckle with desire Idiots on the ice I am acutely aware of My own libidinal gaps Handcuffed by your ribcage An impotent cul de sac Record the romance You handsome devil Drive a hard bargain To keep us level
9.
Trade-Ins 05:46
Listless, and dried out again I’m washed ashore and I’m tasting sand and then it hits me: I’m one of a kind. The end is near but I don’t seem to mind because I’m stubborn like a stick in the mud, worn out like a tire in a rut, burnt out like idea machines. What’s wrong with a little distraction, our heads cut off for a piece of the action? You want some tips on the road to success, boy? Just buy my book for its lessons on excess. You ain’t saving me. Capsize the wagon again and now I’m comatose in the oxygen and so you sling words, the four letter kind with me the only target that they hope to find and so I’m sneaking through your bedroom door, avoiding all the creaks in the floor, crawling up to your bedside only to whisper “Goodbye love, I’m gone today. I’m trading the you for the lonely me. If the flood rolls in and I’m still away ignore what the crowds all say.” You ain’t saving me. Sneaking through your bedroom door, avoiding all the creaks in the floor, get myself the hell outta dodge, I’m swimming to a different song, swimming ‘cause the ending is nigh, crawling up to your bedside only to whisper
10.
Transmission 10:59

about

Amniotic Buzzsaw started as a side project between The Freedom and Choppy as a way to take a break from the grueling strictures of grad school. Though Buzzsaw has never played live, the band was surprisingly prolific (especially given the constraints on time) and has since written and recorded thirteen songs. These are the first ten. All songs were guided by what came to be known as "the Buzzsaw Way," a philosophy for continually taking risks in songwriting, staying in the beginner's mindset, and remembering the most important part of music: beer.

No, that's not right...it wasn't beer; I think it was fun. Or maybe I really did mean beer. Hell, if I were to make a Venn Diagram, and one circle was fun, and the other was beer, there would be some serious overlap. Anyway, you get what I mean.

credits

released June 3, 2014

Recorded in fits and spurts in apartments and closets from 2009 to 2010.

All tracks produced and engineered by Jake Frye and Chas Hoppe.

Mastered by Patrick Gay for Sleng Teng Recording.

Layout, illustrations, and booklet design by Sara Hoppe.
Cover and other Illustrations by Katherine Hoppe.

Track Credits:
Krista Bever: vocals, hand claps, percussion, ribaldry
Jake Frye: vocals, guitar, bass, keyboards, programming, percussion, hand claps, Satan worship
Chas Hoppe: vocals, guitar, bass, keyboards, programming, percussion, hand claps, delay of game
Amanda Martin: vocals, laughter, jingly skirt, percussion, general Kramp-assery

All songs written by a combination of whoever was in the room that day. For more information on the recording process and our many attempts at failure, check out www.amnioticbuzzsaw.com

Thank you to all you fine folks for listening.

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Amniotic Buzzsaw Bellingham, Washington

Pick an obstruction and create something.

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